A little painting composed from several common images at my house. Namely, black angus calves, shy but curious; peeking at us from the fence through the late summer flowers. That explains the title, Peekamoo… Peekamoo, I see you!
A little painting composed from several common images at my house. Namely, black angus calves, shy but curious; peeking at us from the fence through the late summer flowers. That explains the title, Peekamoo… Peekamoo, I see you!
In an earlier post, I mentioned that I am a fan of the late Alex Colville’s work. This is another painting, inspired by memory, and hopefully suspended in memory and paint, when completed. While working, I spend a lot of time being mindful of all the ways to represent a 3D subject on a flat surface. Colville breaks a lot of the traditional ‘rules’ and yet his images seem to become effortlessly locked into visual memory. Inspired by a few of Colville’s ‘rules’, this work in progress depicts a moment in time when one of the boys of summer eagerly takes a leap off of a cliff It seems to me a fitting metaphor for life–a leap of faith, a work in progress.
oil on canvas, 11×14 in, collection of the artist
Today, I painted in the spirit of the language that gave us the phrase, ‘Alla Prima’. I chose the little moka pot that we brought home from Italy a few years ago. With a nod to traditional painting, with umbers, alizarin and black and white pigments, this little picture of a moka pot and cups pays homage to the tradition of taking time to prepare and savor the whole experience as well as the result. All I need now is some biscotti.